Contact me
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Portfolio
A summary portfolio
Portraits
The Self -Portraits (part 1)
The Self - portraits (part 2)
The Other - portraits (part 3)
All Portraits
Pictorialism, a photographic essay: Portraits
Imaginations
Imaginations
Imagination II
Imaginations III
Imagination IV
Imaginations V
Imaginations VI
Imaginations VII
Imagination VIII
Imagination IX
Imaginations X
The Pilgrim series
Two instance of a recollection
Still Life
Pictorialism, a photographic essay: Still Life
Still Life collection
Still Life collection II
Still Life collection III
Still Life IV
Still Life V
Still Life VI
Still Life VII
Still Life VIII
Still Life IX
Still Life X
Still Life XI
Calla lilies
Landscapes
Il Duomo-Siena: internal architecture
Seven sunsets over the sacred Lake Titicaca
Copacabana, lake Titicaca sunsets
Five morning views - La Paz
La Paz, Bolivia: yesterday and today (1975-2023)
Pictorialism, a photographic essay: Landscapes
As the fog clears. Greenwich Park scenes.
Clouds over Bodiam Castle
Some statues at Pashley Manor and Gardens
Greenwich Park in the snow - part 2
The River Rother - Bodiam, East Sussex
Autumn at Loenardslee Lake and Gardens - Kent
The Arno and Giardino Scotto - Pisa
Looking back: dawn over La Paz
To Cairoma along the Kimsa Cruz cordillera
To Serranias de Murillo
Ten postcards from Kent
London from the Sky Garden
A sunset on the road to Martin Mill, Kent
Black and White
A murder of silhouettes
Greenwich Park in 4 black and white diptychs
Returning to La Paz - landscapes
Returning to La Paz - patios and environs
Returning to La Paz - Cityscapes
Returning to La Paz: people
A monochrome essay - part 1
A monochrome essay - part 2
Views of Saltaire and the canal
Three paths
The Barbican
Greenwich Park winter trees
The Aircraft Circus: Trapeze
Five nudes (analogue: Kodak T-Max400)
Cyanotype
Cyanotypes
Infrared
Greenwich in infrared
Javier Molina B.
Contact me
Contact Form
Portfolio
A summary portfolio
Portraits
The Self -Portraits (part 1)
The Self - portraits (part 2)
The Other - portraits (part 3)
All Portraits
Pictorialism, a photographic essay: Portraits
Imaginations
Imaginations
Imagination II
Imaginations III
Imagination IV
Imaginations V
Imaginations VI
Imaginations VII
Imagination VIII
Imagination IX
Imaginations X
The Pilgrim series
Two instance of a recollection
Still Life
Pictorialism, a photographic essay: Still Life
Still Life collection
Still Life collection II
Still Life collection III
Still Life IV
Still Life V
Still Life VI
Still Life VII
Still Life VIII
Still Life IX
Still Life X
Still Life XI
Calla lilies
Landscapes
Il Duomo-Siena: internal architecture
Seven sunsets over the sacred Lake Titicaca
Copacabana, lake Titicaca sunsets
Five morning views - La Paz
La Paz, Bolivia: yesterday and today (1975-2023)
Pictorialism, a photographic essay: Landscapes
As the fog clears. Greenwich Park scenes.
Clouds over Bodiam Castle
Some statues at Pashley Manor and Gardens
Greenwich Park in the snow - part 2
The River Rother - Bodiam, East Sussex
Autumn at Loenardslee Lake and Gardens - Kent
The Arno and Giardino Scotto - Pisa
Looking back: dawn over La Paz
To Cairoma along the Kimsa Cruz cordillera
To Serranias de Murillo
Ten postcards from Kent
London from the Sky Garden
A sunset on the road to Martin Mill, Kent
Black and White
A murder of silhouettes
Greenwich Park in 4 black and white diptychs
Returning to La Paz - landscapes
Returning to La Paz - patios and environs
Returning to La Paz - Cityscapes
Returning to La Paz: people
A monochrome essay - part 1
A monochrome essay - part 2
Views of Saltaire and the canal
Three paths
The Barbican
Greenwich Park winter trees
The Aircraft Circus: Trapeze
Five nudes (analogue: Kodak T-Max400)
Cyanotype
Cyanotypes
Infrared
Greenwich in infrared
The Biginning was the Word
Pilgrim: the Exile
Pilgrim II
Pilgim III
After Rioji Ikeda
Triptych, or Dark Moon III
Dark Moon II
Jacob's ladder
Dark Moon
Dead Rose
Medieaval road map
Into the night...
Summer Moon
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La Casa de Hacienda lost prints
In a retrospective visit to an old Casa de Hacienda in Araca, and in an imaginary world, I discovered this prints...
The Light shines in the darkness...
St Sebastian, martyr. Religion is a controversial subject, yet one can trace the history of strong belief in all religions. The strength of conviction is what I consider lacking in today's Procrustean times...
The tree on the hill
The fascination of a lone tree on the brow of a hill...
Two instance of a recollection
I visited a section of the Andes of Bolivia, I was left with the immensity of the view that has stayed with me always. This is my recollection of it in two instances...
The Self up close
I have recently discovered the power of Dynamic Symmetry, its origin, its stipulations and history. One quote from the person who put the principles together, Jay Hambridge, is worth mentioning: “As moral law without intellectual direction fails, ends in intolerance, so instinctive art without mental control is bound to fail, to end in incoherence. In Art the control of reason means the rule of design.” (Hambridge, Jay. The Elements od Dynamic Symmetry. Dover Publications, Inc., New York. 1967). I would urge you to incorporate dynamic symmetry into you static compositions.
A summary portfolio
These images best exemplify my work... Here a selection of 33 of those images: 1- Imaginations 2- Landscapes 3- A Murder of Silhouettes 4- Still Life 5- Portraits Gallery views at the bottom
Along the Bosphorus
Grain Fort and cause way another view
Grain Tower is a mid-19th-century gun tower situated offshore just east of Grain, Kent, standing in the mouth of the River Medway. It was built along the same lines as the Martello towers that were constructed along the British and Irish coastlines in the early 19th century and is the last-built example of a gun tower of this type. It owed its existence to the need to protect the important dockyards at Sheerness and Chatham from a perceived French naval threat during a period of tension in the 1850s. Rapid improvements to artillery technology in the mid-19th century meant that the tower was effectively obsolete as soon as it had been completed. A proposal to turn it into a casemated fort was dropped for being too expensive. By the end of the 19th century the tower had gained a new significance as a defence against raids by fast torpedo boats. It was used in both the First and Second World Wars, when its fabric was substantially altered to support new quick-firing guns.
The fruit market
Somewhere in London
Views from Greenwich Park in monochrome
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