As in all my work, these images are a vision that holds that geography as a reference, they are more in relation to the imagined and what appertains to a memory or recollection which might not exist even though it is present and manifests itself in the photographs.

Continuing with trying to reduce the gap between traditional photography and traditional painting...

A reconstruction of the fort and its cause-way, as the tide comes in...

I have taken a paragraph from Sherwin Sleeve's (Sean Hurley) book of poems: Oh & Ah

An afternoon visit to St James' church in Piccadilly.

Incubus, the demon of nightmares...

I decided to move away from my confort zone and take photographs of people along the Thames south side, although there were crowds, I could not see them, my eye went for what I can see.

Inevitably it is necessary to give a historical perspective of this yearly festival that takes place in the city of La Paz, Bolivia in the first week of June. The celebration transforms and stimulates the social life of La Paz every year, emanating from a particular way of understanding and living Andean Catholicism. The Parade begins with a procession through the western part of the city. This procession is central to the event, involving 40,000 devotees who dance and sing in an offering to the patron saint. The dance has a sacred significance for the sixty-nine fraternities involved, which are greeted in the streets in a euphoric atmosphere where the music of 7,000 musicians resonates. It is so owe inspiring that it is rightfully a UNESCO Wold Heritage event (Intangible Cultural Heritage of Humanity). The image venerated with dance and music is believed to have arrived in the city at the founding of the convent of the Mothers of the Sacred Conception on the 8th of December 1663.

Following the rules of Dynamic Symmetry, a humble root vegetable...