It is noticeable that the Cyanotype process produces  uncertain and constantly changing results, which, I think, is part of the charm of the medium. Three elements play for the final result: the emulsion, the light and the negative. I am keen to bring out the various tones between the dark blue to the white. It would be easier with a high contrast negative...
These have been added to my previous Cyanotypes.

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The frozen fingertips of Autumn
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Four instances of a sunset
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A collection of volcanos in Lanzarote. Although at first distance a very bleak landscape, the eye finds those smooth hills/mountains very peaceful and definitely beautiful
Dusk
From Cormac McCarthy's "Border Trilogy, The Crossing" ...yet more dark and darkening still where it ran on to the east and where there was no sun and there was no dawn and when he looked again toward the north the light was drawing away faster and that noon which he'd woke was now become an alien dusk and now an alien dark and the birds that flew had lighted and all had hushed once again in the bracken by the road.
Greenwich through the Seasons: Autumn 2024
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