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Grain Fort and cause way another view
Grain Tower is a mid-19th-century gun tower situated offshore just east of Grain, Kent, standing in the mouth of the River Medway. It was built along the same lines as the Martello towers that were constructed along the British and Irish coastlines in the early 19th century and is the last-built example of a gun tower of this type. It owed its existence to the need to protect the important dockyards at Sheerness and Chatham from a perceived French naval threat during a period of tension in the 1850s. Rapid improvements to artillery technology in the mid-19th century meant that the tower was effectively obsolete as soon as it had been completed. A proposal to turn it into a casemated fort was dropped for being too expensive. By the end of the 19th century the tower had gained a new significance as a defence against raids by fast torpedo boats. It was used in both the First and Second World Wars, when its fabric was substantially altered to support new quick-firing guns.
Four portraits of a cloud
I was captivated by the cloud formation here photographed when on a short costal walk in Lanzarote
Along the Bosphorus
London skyline
Dead leaves
Searching for an image amongst my negatives, I found these two images I had taken 41 years ago...
Storm over the Bosphorus
The Bosphorus, Istanbul as I imagine it...
The Sea
The sea...
Andalucía: 7 landscapes
Andalucía: 7 landscapes
Oxleas Woods
Walking on Oxleas Woods, appreciating Autumn
The Self up close
I have recently discovered the power of Dynamic Symmetry, its origin, its stipulations and history. One quote from the person who put the principles together, Jay Hambridge, is worth mentioning: “As moral law without intellectual direction fails, ends in intolerance, so instinctive art without mental control is bound to fail, to end in incoherence. In Art the control of reason means the rule of design.” (Hambridge, Jay. The Elements od Dynamic Symmetry. Dover Publications, Inc., New York. 1967). I would urge you to incorporate dynamic symmetry into you static compositions.
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