"I think clouds are among the most beautiful things in the natural world - endlessly changing, variable and fascinating. Their delicate colour, often glorious and at times ominous, together with infinitely metamorphic shape and movement, lends a serene, or depending on which way the wind is blowing, a tumultuous dimension to their vaporous existence."
Peter Layton

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Liverpool: three Buildings and a Gormley
Liverpool in B & W
The Self - XI
Part of my ongoing portraits: The Self
The Fall
After much consideration and doubt...
Natural History Museum, London
An image taken a few years back, reworked using Zone System Express 6. I recommend to any photographer the use of Blake Rudis plugins and applications.
Behance link to projects problem
Grain Fort and cause way another view
Grain Tower is a mid-19th-century gun tower situated offshore just east of Grain, Kent, standing in the mouth of the River Medway. It was built along the same lines as the Martello towers that were constructed along the British and Irish coastlines in the early 19th century and is the last-built example of a gun tower of this type. It owed its existence to the need to protect the important dockyards at Sheerness and Chatham from a perceived French naval threat during a period of tension in the 1850s. Rapid improvements to artillery technology in the mid-19th century meant that the tower was effectively obsolete as soon as it had been completed. A proposal to turn it into a casemated fort was dropped for being too expensive. By the end of the 19th century the tower had gained a new significance as a defence against raids by fast torpedo boats. It was used in both the First and Second World Wars, when its fabric was substantially altered to support new quick-firing guns.
Somewhere in the Andes
Reviewing some photographs from a collection of a trip to my homeland, La Paz, Bolivia, in search of my grandfathers' lands.
Incubus
Incubus...
The brigantine HM Saracen
The Self as a figurehead
Returning to La Paz - Imágenes Paceñas
'Returning to La Paz' is an hommage to Javier Molina's birth place. After living in the USA for a number of years the Bolivian photographer returned to La Paz in the early 1970s. Living abroad gave him a perspective that allowed him to see the city with new eyes. All images with either Fujifilm, Kodak or Ilford film
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